Lace dress – a study in motifs

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Amidst hectic preparations for a short visit to Manila, the crocheted dress is now finished. At a certain point in the process – where I have completed motifs in an inverted triangle shape at the front and back of the dress – I decided to use the various large motifs completed earlier, to occupy areas at the sides of the dress, in free-form technique.


The dress before attaching the large motifs.

The dress before attaching the large motifs.

The large flower motifs are based on patterns found in two Duplet magazines: The Swimsuit Edition #3 and Duplet Issue #112. The crochet symbol chart in the Swimsuit Edition was easier to understand, thanks to the use of shading to identify rounds in the pattern.

Flower motifs following Duplet patterns

Flower motifs following Duplet patterns

Attaching the motifs to the dress proved difficult. I used a combination of crochet stitches and needlework. I used the 5-chain mesh and in certain areas, a join consisting of dc, ch 3, dc. Two motifs on each side of the dress were attached first (one is shown here) with the chain mesh. After 3 rows of chain meshes, I completed the edging with a simple “(ch 3, 3 dc) in loop, sc in next loop” pattern repeat.

Attaching one of the motifs to one side of the dress

Attaching one of the motifs to one side of the dress

Attaching the motifs - work in progress

Attaching the motifs - work in progress

Smaller and larger motifs follow, some overlapping the mesh. Most of the work in this case were done on each side of the dress.

 

Detail of one side of the dress using motifs in natural and lavender colors

Detail of one side of the dress using motifs in natural and lavender colors

One side of the dress uses motifs tinged with lavender thread, and the other side I decided to keep on the natural color.

Detail of the other side of the dress using motifs in natural cotton

Detail of the other side of the dress using motifs in natural cotton

And here is the finished dress, showing ether front or back. I have not decided which should be the front or back of the dress. Either way the dress can be worn

The finished dress

The finished dress

The dress is rather short, just above the knee, and thus can also be worn as a top over jeans or a skirt. I was hoping to wear this to my mom;s birthday, but there isn’t enough time left to block and dry it.

The finished dress

The finished dress

Making this dress wasn’t easy. A lot of design decisions had to be made and errors weren’t easy to rectify. Near the waist of the dress I used an alternating row of motifs with 3D flowers. That was a decision that proved wrong when I finished the dress because the flowers appeared oddly asymmetrical across the waist.  I like asymmetry but this was a bit off, looking like funny unbalanced buttons on the dress. Removing those motifs would’ve ruined the dress so I had to rectify the problem by attaching similar 3D flowers arranged at an angle in between the motifs. The intention was to break the uncomfortable asymmetry.

I learned a lot of new things completing this dress and I feel relatively happy with it – not very happy but enough. I think that there is still something lacking because I feel that I could’ve done this dress differently. Perhaps after some time I will see it.

Crochet-Joining and Needle-Joining Motifs

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The other day, I completed a new flower motifs collar after nearly a week laboring the design and technique. As with previous Irish-crochet inspired pieces that I completed in several days, this collar consists of flower motifs, this time in multi-color cotton thread.

crochet flowers

I started by crocheting the flowers separately and then arranging them on a flat surface. Typically, I crochet as many flowers as I like, sometimes guided by a general design idea such as “one large flower surrounded by medium sized ones and two or three tiny ones of different color placed somewhere along the margins.”


The next step is joining the flower motifs together all along the outside of the shape through crochet stitches. To hold the motifs together while working, I sometimes use pins as shown in the photograph below.

Crochet flowers
In the inside of the shape, I decided not to use crochet stitches this time, but rather to use a needle, as I have seen in some of the techniques in making needle-made laces. This results in a tighter, closer and stiffer join.

crochet flowers

Here is the finished shape. I made two of these, each with three small rings along one end for joining together. Although, making these shapes wasn’t too difficult, I spent a lot of time testing and deciding on the final shape of the collar, as well as the method of joining them together and securing the collar in place.

crochet flowers

I had thought of making two asymmetrical collars, a collar with a criss-cross tie like a lace-up corset, as well as using the shape as a hairband. The final design is so simple (a collar joined with rings in the middle and secured with flower pin) that one wouldn’t think I had to go through all the trouble of trying out all sorts of other designs.

The finished flower motifs collar

The finished flower motifs collar, available at The Crochetology Shop at http://crochetology.net/shop/

With the collar now out of the way, I have returned to working on the motif top (or dress) which I started several weeks ago using a motif from a free shrug pattern from Pierrot Yarns Japan.

Motif dress in progress

Motif dress in progress

I stopped at the point where I needed to make a decision whether to make a top or to make a whole dress. I am tempted to make a dress but couldn’t really bear having to make more of the same motifs. So this time, I decided to use two different motifs for the lower half of the dress.

Detail of one of the motifs.

Detail of one of the motifs.

For the lower half, I have started using a larger hook in order to make larger motifs to accommodate the hips. Without shaping, I will look like a springroll with a bulge in the stomach and the bum.

The new motifs are likewise crochet joined. The most difficult in this process is again the decision-making – which motifs to use? Which motifs will go well together visually and structurally? It was also necessary to modify the motifs that I used which came from crochet dictionaries and the shrug pattern.

For instance,I decided to lessen the number of dc’s in the dc-bobbles of the motif from the shrug pattern so that I can come up with a lighter fabric more suitable for the summer time. I also had to modify the last rows of the two additional motifs in order to use them together with a join-as-you-go method.

So yes, this crocheted garment is hopefully going to be a dress if I don’t get distracted into turning it into something else.

Green dress in sieve stitch

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Crochetology problem: Given basic Sieve Stitch pattern:

Sieve Stitch

Sieve Stitch

And the offset mesh pattern:

Make a multiple of 2 sts.
Rnd 1. (Right side): 1dc into 6th ch from hook, *1ch, skip1 ch, 1 dc into next ch; rep from * ending 1 dc into last ch. Tun.
Rnd 2. 4 ch (counts as 1 dc and 1 ch), skip first 2 sts, 1 dc into next ch sp, *1ch, skip 1 dc, 1 dc into next sp; rep from * to turning ch, 1 dc into next ch. Turn.

Rep rnd 2.

Crochet a sleeveless dress using at least 4 colors.

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Dress in Wave Stitch

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A new dress for Christmas. The embroidered lace bolero is a gift from my mom.

A new dress for Christmas. The embroidered lace bolero is a gift from my mom.

The inspiration for this project begins with the wave stitch.

Crochetology problem:

Use the wave stitch and improvisations thereof for the bodice (section B) of a crocheted sleeveless dress. Use glitter thread in combination with cotton to create an embellished effect. In this project, I used white cotton with gold glitter thread, as well as a very very soft green color of cotton thread.

Schematic for the dress.

Schematic for the dress.

For the straps and upper section of the bodice (section A), select a simple openwork but sturdy pattern, for example, I selected a pattern for a camisole but used two strands of thread for strong fabric.

You may also use a color lighter (rather than glaringly different) than the bodice so that the embellished bodice may stand out but not too much. I used white cotton thread in combination with white rayon thread.

The lower section (section C) of the decorative bodice is now worked in the main body color of the dress. For this project, I selected an aquamarine color cotton thread. The lower section of the bodice uses a very fancy open-work pattern which I found in a magazine.

To create a transition of golden embellishment from the upper to the lower bodice, some gold beads were hand-sewn over the holes of the fancy open-work pattern of the lower bodice. Refer to the photograph for the position of the beads.

The back, waist and hip (section D) of the dress may be worked in variations of basic crochet stitches, for example basic single crochet, back loop single crochet, front loop single crochet, alternating rows of  single and double crochet, single crochet cluster stitch, double crochet cluster stitch, and space and block filet crochet. Continue reading

From doily to dress

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Given the doily pattern:

Doily pattern with classic pineapple stitch

Doily pattern with classic pineapple stitch

Make a lace dress using two different color threads.


This problem is an exercise in appropriating doily patterns. There are thousands of antique, vintage and contemporary resources for doilies that can serve as starting points for new dress designs.

Roadtesting the doily-dress!

Roadtesting the doily-dress!

The doily pattern is selected for its complex design. Of special interest here is the pineapple stitch and the two smaller crocheted medallions. In my work, I decided to use the pineapple motif and one of the medallions for the bodice of the dress, and then use the pineapple for the lower section of the skirt.

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